Digitech RP500 Multi Effects Unit

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		$51.00
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Digitech RP500 Multi Effects Unit Picture(s) and Description:

You are bidding on a like new Digitech RP500 Multi effects unit. The unit looks like new and has not left my smoke free home. It comes with the original box and power supply. I do not have the Cubase software. The Simplicity of a Stompbox. The Control of an Effect Switching System.The RP500 takes the complexity of an effect switching system and combines it with the simplicity of stompboxes. Full arsenals of tones are at your disposal, all easily controlled. If you’re a player who takes command of their tone by turning individual pedals on and off, enable the Pedalboard Mode button and instantly use the 5 footswitches to turn the RP500’s stompboxes and effects on and off within a program. If you are tired with the effect tap-dance and want to concentrate on playing, the RP500’s Preset Mode gives you instant access to 5 totally different sounds with the single press of a footswitch (100 presets total across 20 different banks). Now the RP500 features a 20-second looper. Simply play, loop, change tones then overdub. It’s that easy. No matter how you like to control your sound, the RP500 has a solution for you. Effects Wahs: DigiTech® Wah Cry Wah Based on a Dunlop® Cry Baby™ Wah Clyde Wah Based on a Vox® Clyde McCoy™ Wah Compressors: DigiTech® Compressor CS Compressor Based on an Boss® CS-2 Compressor/Sustainer Dyna Comp Based on an MXR® Dynacomp™ Noise Gate: DigiTech® Silencer™ Noise Gate DigiTech Auto Swell Gate EQ: 3-band semi-parametric EQ Chorus Stompbox Models: DigiTech® Dual Chorus DigiTech Multi-Chorus DigiTech Glistening Chorus CE Chorus based on a Boss® CE-2 Chorus TC Chorus based on a TC Electronics® Chorus Flanger Models: DigiTech® Flanger DigiTech Triggered Flanger MX Flanger based on MXR® Flanger EH Flanger based on Electro Harmonix® Electric Mistress™ AD Flanger based on ADA™ Flanger Phaser Models DigiTech® Phaser MX Phaser based on MXR® Phase 100 EH Phaser based on Electro Harmonix® Small Stone™ Pitch Models: DigiTech® Whammy™ DigiTech® Pitch Shift DigiTech® Detune DigiTech® Harmony Pitch Octaver based on a Boss® OC-2 Octaver™ Vibrato / Rotary Models: DigiTech® Vibrato DigiTech® Rotary DigiTech® Vibro / Pan Unovibe based on a Unicord Uni-Vibe™ Tremolo Models: DigiTech® Tremolo DigiTech® Panner DigiTech ScatterTrem – Dual tremolo effect Opto Tremolo based on a Fender® Opto Tremolo™ Bias Tremolo based on a Vox® Bias Tremolo Envelope / Special Models: DigiTech® Auto Yah™ DigiTech® YaYa™ DigiTech® Synth Talk™ DigiTech® Step Filter DigiTech® Sample & Hold DOD FX25 based on DOD® FX25 Envelope Filter Delays: Digital Delay Analog Delay Pong Delay Modulated Delay Tape Delay Reverse Delay DM Analog Delay based on Boss® DM2 Analog Delay Echo Plex based on a Maestro EP-1 Tube Echoplex Reverbs: Lexicon® Ambience Lexicon® Hall Lexicon® Room Lexicon® Studio Spring based on a Fender® Twin Reverb™ EMT240 based on an EMT® 240 Plate Reverb Amps 57 CHAMP Based on a '57 Fender® Tweed Champ® 57 DELUXE Based on a '57 Fender® Tweed Deluxe™ 59 BASSMAN Based on a '59 Fender® Tweed Bassman® 62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman® 65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb® 65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb® 65 JTM-45 (Based on a '65 Marshall® JTM-45 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi) 68 JUMP PANEL Based on a '68 Marshall Jump Panel 77 MASTER VOLUME Based on a '77 Marshall Master Volume 83 JCM800 Based on an '83 Marshall JCM800 93 JCM900 Based on a '93 Marshall JCM900 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel) 62 AC15 Based on a '62 Vox® AC15 63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost 69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103 81 MARK IIC Based on an '81 Mesa Boogie® Mark II C 01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier MARK 4 Based on an '93 Mesa Boogie Mark IV TRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier 99 LEGACY VL-100 Based on a Carvin® Legacy VL-100 96 MATCH HC-30 Based on a '96 MatchlessTM HC30 88 SLO-100 Based on an '88 Soldano SLO-100 GA-40 Based on a Gibson® GA-40 5150 II Based on a Peavey® 5150® II JAZZ COMBO Based on a Roland® JC-120 SOLAR 100S Based on a Sunn® 100S HT-100 Based on a Randall® HT-100 OJ 120 Based on a Orange™ OR 120 SUPER G Based on a Laney™ Supergroup DIGITECH SOLO DigiTech® Solo DIGITECH METAL DigiTech Metal DIGITECH BRIGHT CLEAN DigiTech Bright Clean DIGITECH CHUNK DigiTech Chunk DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube DIGITECH CRUNCH DigiTech Crunch DIGITECH BLUES DigiTech Blues DIGITECH FUZZ DigiTech Fuzz DIGITECH SPANK DigiTech Spank DIGITECH HIGH GAIN DigiTech High Gain DIGITECH MONSTER - Maxed out gain DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface poweramp DIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman poweramp DIGITECH STONERROCK – Thick, sludgy distorted amp tone DIGITECH DARKMETAL – Responsive, tight metal tone DIGITECH TRANSISTOR – Solid state transistor amp sound DIGITECH BROWNSOUND – Hot rodded 80’s stack tone DIGITECH MOSH – Chunky metal tone with just the right amount of sizzle 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube DIRECT No amp model DREADAUGHT ACOUSTIC JUMBO ACOUSTIC Cab Models CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ® DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe® DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman® TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb® BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman® BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70 GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s DIGITECH SOLO 4X12 4x12 DigiTech® Solo DIGITECH BRIGHT 2X12 2x12 DigiTech Bright DIGITECH METAL 4X12 4x12 DigiTech Metal DIGITECH ROCK 4X12 4x12 DigiTech Rock DIGITECH ALT 4X12 4x12 DigiTech Alt Rock DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage DIGITECH CHUNK 4X12 4x12 DigiTech Chunk DIGITECH SPANK 4X12 4x12 DigiTech Spank DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation DIRECT No cabinet model Specifications General Specifications Chassis: Durable cast metal construction Display: Large 8 character alpha-numeric and 2 character numeric LED display Controls Footswitches: 9 heavy duty vacuum-style switches control Bypass, Tap Tempo, Bank up/down, Program up/down, Tuner, program access and stompbox/effect on/off Expression pedal: Built-in A/D Converter: 24-bit high performance audio D/A Converter: 24-bit high performance audio Sampling Frequency: 44.1kHz throughout DSP Section: 1 Audio DNA2™ DSP Processor Preset Memory: 99 User / 99 Factory Presets Analog Input Connections Guitar input: 1/4" Unbalanced (TS) Input Impedance: 500k Ohms CD/MP3 Input: 1/8" Stereo (TRS) Analog Output Connections Line outputs: 1/4" Outputs Left/Right Outputs 1/4" Impedance Unbalanced Left/Right Output Impedance: 500 Ohms per side Maximum Output: +10 dBu XLR Outputs Left/Right Outputs: Balanced Left/Right Output Impedance: 1 kohm per side Maximum Output: +16 dBu Headphones: 1/8" Stereo (TS) - 13.6mW per channel @ 50 Ohms Digital Connections Universal Serial Bus (USB): Type B, supports USB1.1 Full Speed (12 Mbps Bandwidth USB 2.0 compatible) RP500 USB Recording Specifications Sample Rate: 44.1 kHz Bit depth: supports 16-bit or 24-bit (depends on setup in Recording Software) Size/Dimensions Unit Dimensions: 19.5” x 2.25” x 8.75” (W x H x D) Shipping Dimensions: 21” x 4” x 11” (W x H x D) (approximate) Shipping Weight: 8.0 lbs (approximate) Features 20-Second Looper-Full time, play, loop, change tones then overdub! Effect switching system offers control over internal stompboxes and effects Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects Amp/Cabinet Bypass defeats internal amp and cabinet effects in all presets 40 Tone and 40 Effects Libraries 200 presets (100 factory, 100 user Over 125 effects including stompboxes, choruses, delays, amps and cabinets Up to 5 seconds of delay time 24-bit 44.1kHz sample rate Heavy-duty metal switches for stompbox response Bright LEDs display program status and effect on / off Large 10 character LED display for preset name, bank name and tuner Built-in chromatic Tuner Independent XLR Left and Right Outputs with ground lift Independent 1/4" Left and Right Outputs Amp / Mixer switch to engage speaker cabinet Stereo 1/8" headphone output Stereo 1/8" CD/MP3 Input Built-in expression pedal controls the RP500’s internal wahs, volume, Whammy™ and other parameters All metal construction 2 x 2 USB audio streaming Power supply included